Alien: Covenant – Lucifer in Space and Transhuman Hell

After my two part analysis of the symbolism of Prometheus earlier, it’s about time I followed up on my promise to tackle the sequel, Alien: Covenant. This film is more like the original Alien from 1979, but continues to explore some of the ideas presented in Prometheus. However, the many questions left hanging at the end of the previous film aren’t answered in Covenant and many more are raised instead. 

Michael Clayton: the price of truth, justice and morality

A perfect example of Libra on film can be found in Michael Clayton, a tense legal thriller that explores the nature of truth and justice and so much more. The film is even more relevant now than it was back in 2007 when it came out. The story follows Michael Clayton, a fixer who cleans up messes for a legal firm and their rich clients, as he seeks redemption in an ethical wasteland. 

Stranger Than Fiction: Death and Taxes, and the Meaning of Life

Stranger Than Fiction is a perfect example of the Virgo archetype on film. It’s a modern fable about the interconnectivity of life and the power of stories and literature. The story follows Harold Crick, a taxman who lives a very ordered life until his wristwatch decides to stir things up a bit. The film is quite surreal, but gentle and sweet-natured – just like Harold. 

The Fisher King: Forgiveness and the Quest for Redemption

In the post on Leo Myths we looked at the quest for meaning in the story of the Holy Grail. The fulfilment of this quest is the healing of the Fisher King and that brings us to the 1991 film by Terry Gilliam. The Fisher King is a comedy-drama about Jack Lucas, a misanthropic DJ and his unlikely friendship with a homeless man called Parry. 

mother! – God, Creativity, and Pesky Humans

A perfect example of the Cancer archetype on film is mother! – a mind-bending Gnostic creation myth stuffed with Biblical metaphors and Kabbalistic symbolism. It’s a home invasion story told from the perspective of Mother Earth and was inspired by the children’s book The Giving Tree. The film was marketed as a horror movie but only to prepare audiences for the onslaught of the harrowing final act. It plays as a fever dream or nightmare and isn’t easy to watch, but Darren Aronofsky, the director, says it’s a wake-up call to humanity. You’re supposed to feel uncomfortable watching mother!